Before I dive into my critique of Clint Eastwood’s American Sniper, I want to elaborate on why I do film reviews. First, it goes without saying that I am an ardent cinephile. I’ve been in love with the art of filmmaking for as long as I can remember. If it wasn’t for my aversion towards the celebrity lifestyle, I definitely would have pursued a career in Hollywood (or Bollywood).
Second, I’m not the only one who loves movies. Everybody loves watching movies. Everyone can quote random dialogues from films released twenty years ago. Some of our most cherished memories have been shaped around the movie-watching experience.
Therefore, films are one of the best mediums for social commentary. For decades, Filmmakers have utilized their craft to convey an important lesson to their audiences. Born on the Fourth of July poignantly captured the anguish and pain endured by numerous Vietnam veterans. Mummy Dearest (despite the unintentionally laughable acting) exposed the prevalence of child abuse. Inside Out persuaded us to get in touch with our inner emotions. Therefore, cinema has an incredibly tremendous impact on our culture.
This brings us to American Sniper. Clint Eastwood has continuously proved himself to be a sage in filmmaking. American Sniper is no exception. It was, no doubt, a brilliantly-produced masterpiece. In addition, Bradley Cooper was exceptional in the biographical role of Chris Kyle. In terms of film quality, I have nothing negative to say.
I watched this movie a year and a half ago in theaters with a couple of my friends. I remember the theatre room was packed, unsurprisingly. Upon the film’s conclusion, with the credits rolling through the depiction of Chris Kyle’s real life funeral, the theatre room fell into an eerie silence. As the screen went pitch-black, the silence continued. After a few moments, as my friends and I gathered our belongings, a spontaneous applause erupted. Some of the audience members had tears running down their cheeks.
The reason I’m telling this is to illustrate the depth of emotions this film evoked from the American public. In post-9/11 America, this movie had a cathartic impact on its viewers. Because of this film’s monumental significance, I’m even more disappointed by its distorted depictions of the events following 9/11.
The movie implies that 9/11 was the primary motive behind the US invasion of Iraq. That botched episode, which basically annihilated George W Bush’s credibility as president, was glorified in the film as a noble cause.
Ironically, Clint Eastwood is known for being firmly anti-war. He has vocally disapproved of American military engagements in Korea, Vietnam, Afghanistan and Iraq. Furthermore, Eastwood insisted that American Sniper was written to be an anti-war film!
Although most have doubt his assertion, I actually believe him. Eastwood aspired to depict the disastrous effects war has on one’s mental health. He never intended to produce a historical documentary. Eastwood primarily wanted to illustrate how PTSD not only affects soldiers, but their families, especially their spouses who are pressured to pick up the pieces.
In order to accurately depict the impact of PTSD, Clint Eastwood did a character sketch of Chris Kyle and portray the battlefield through his eyes. Unfortunately, Chris Kyle’s subjective perspective completely obfuscated the historically-factual account of the Iraq War. Therefore, future generations watching this movie will have an inaccurate picture of the Iraq War.
American Sniper attempts to humanize a person famed for his 150 kills. Chris Kyle is depicted as being helplessly trapped in the shadows of moral ambiguity that envelopes over the reality of the battlefield. However, Chris Kyle’s autobiography confirms that he is a self -aggrandizing liar and a sadistic psychopath who takes pleasure in shooting defenseless Iraqi children! Kyle represents the worst of the US armed forces and does not deserve to be lionized in an cinematic production!